<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Cinematography Portfolio]]></title><description><![CDATA[Cinematographer (Director of Photography) and camera operator based in Atlanta, Georgia, working primarily in narrative film with additional experience in commercial and aerial cinematography.

Focused on visual storytelling, performance-driven lighting, and intentional camera movement. Available for narrative, commercial, and specialty camera work.]]></description><link>https://www.austinjansma.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Sat, 02 May 2026 01:50:43 GMT</lastBuildDate><atom:link href="https://www.austinjansma.com/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Cinema cameras need a native vertical mode — and the workaround isn't good enough anymore]]></title><description><![CDATA[A cinema camera shooting natively in vertical — 9:16 portrait mode declared in camera, metadata baked in from the moment of record.]]></description><link>https://www.austinjansma.com/post/cinema-cameras-need-a-native-vertical-mode-and-the-workaround-isn-t-good-enough-anymore-1</link><guid isPermaLink="false">69deff1d934ce577916d550e</guid><category><![CDATA[Opinion]]></category><category><![CDATA[Workflow]]></category><pubDate>Wed, 15 Apr 2026 03:18:10 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/34e5ad_cbff0a864dda43cbb5d5d80b3d74ee2c~mv2.png/v1/fit/w_1000,h_768,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Austin Jansma</dc:creator></item></channel></rss>